PSB CS1000 Universal Indoor-Outdoor Speakers
All-Weather Outdoor Speaker: The all-weather, outdoor PSB CS1000 loudspeaker is specially designed to bring PSB's renowned sonic performance to wide-open indoor or outdoor spaces.
Two-Way Speaker Design: The CS1000 outdoor speaker's two-way system includes a 6.5"woofer with a clay/ceramic injection-filled polypropylene cone and rubber surround that complements a 1" titanium dome tweeter to deliver full-range music reproduction.
Waveguide: The CS1000's tweeter utilizes an acoustical waveguide to deliver, more even high frequency response.
Crossover Network: The tweeter and woofer are crossed over at 2,200 Hz.
Weatherproof Design: The PSB CS1000 features a rugged, weatherproof design to bring high-end audio performance to any outdoor environment or commercial installation.
Durable Build: The CS1000's durable build features a thick-walled UV-resistant polypropylene cabinet, an aluminum grille, and rustproof terminals with a rubber cover for protection from the elements.
Bass Reflex Cabinet: The CS1000 utilizes a bass reflex cabinet with a front firing port for greater efficiency and bigger bass response. A rubber phase plug is also provided for tighter, accurate bass reproduction.
Internal Ribbing: The CS1000's cabinet utilizes extensive internal enclosure ribbing for extra stiffness to prevent resonance.
Aluminum Grille: The speaker comes with a removable aluminum (metal-mesh) grille.
Paintable Finish: The PSB CS1000 outdoor speaker is available in a black or white finish. The enclosure and grille are both paintable.
Gold-Plated Binding Posts: The gold-plated binding posts will accept bare wire (16-12-gauge), pin connectors, spade connectors, and banana plugs (single only). The speaker terminals are spaced to far apart to use dual banana plugs.
Color-Coded: The speaker's binding posts are color-coded (red/black) for easy identification between positive and negative.
Terminal cover: The CS1000 includes a rubber terminal protective cover to protect the speaker's gold-plated speaker terminals from the harsh elements of the outdoors.
Applications: The PSB CS1000 is the ideal speaker for a range of residential and commercial environments, including decks and patios, retail stores, restaurants, hotels, and fitness centers.
Dual-Rotational Bracket System: PSB engineers designed a fully adjustable, dual-rotational bracket system to allow for multiple mounting options, even in difficult places. Thanks to this highly flexible bracket, the CS1000 can be mounted vertically or horizontally and rotated up to 90 degrees on one axis and 170 degrees on the other axis.
Canada is almost as far away from New Zealand as you can get, but it seems we are close on more than just stunning scenery and a large neighbour.
We also appear to share similar tastes in a great sounding loudspeakers. For over 30-years Canadian speakers have been popular addition to New Zealand homes. The Canadian sound differs from USA and UK markets, with their scientific approach being woven into the DNA of their products for the last 4 decades.
Perhaps inspired by nature, science or both, PSB are among the most awarded and reviewed Canadian loudspeaker companies.
THE “NATURAL AND OPEN” CANADIAN SOUND: INSPIRED BY NATURE
In 1974, Paul met Dr. Floyd Toole, a world renowned psychoacoustician at the NRC, who conducted numerous studies to understand how sounds were interpreted by the human sense of hearing at both the psychological and physiological levels. To Paul, who had devoted much of his childhood to become an accomplished violinist, it was a “Eureka” moment. He had long puzzled over how to consistently reproduce on a set of speakers the unique timbres of different violins exactly as they would sound to him when he played them.
What Paul immediately recognised upon listening to Dr. Toole describe his research was that his findings gave him the formula he needed to design speakers that to the human sense of hearing, would be perceived as organic sounding.
In Dr. Toole, Paul found a lifelong friend and peer who would influence him and whom he influenced, all in the pursuit of a way to reproduce sounds that listeners would perceive as equivalent to that which was real, alive, and natural.